HYBRID EVENT
: You Can Participate In Person At
El Alto, Bolivia
Or Virtually From Your Home Or Work
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ICEMFCR · Registering as Listener
International Conference on European Media, Film, and Cultural Representation
9–10 Jan 2027
El Alto, Bolivia
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$
130
virtual · $155 in person
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1. Policy on Cancellations & Refunds :
A full refund is possible only if the cancellation request is submitted at least 70 days before the conference, with formal paperwork completed at least 60 days prior.
If cancellation occurs between 60 and 30 days before the event, partial refunds may be granted based on administrative costs incurred.
Cancellations made within 30 days of the event are non-refundable, though participants will receive a credit valid for one year.
Registrations made less than 30 days before the event are not eligible for refunds, but may be transferred to another ISIT conference.
Since this conference is hybrid format, the organizer reserves the right to conduct the event either in-person or virtually. Please note that no refunds will be issued due to changes in the event format.
Virtual registration fees are non-refundable. A credit will instead be issued for use at a future conference event.
2. Participation & Registration Requirements :
To attend an ISIT event, participants must complete the registration process within the stipulated time.
The event schedule, venue, and format are subject to changes at the discretion of the organizers, with prior notice sent via email.
ISIT is not liable for any financial losses resulting from changes in event details.
Fees paid for registration are strictly non-refundable.
If the primary author cannot participate, a co-author may attend instead, but refunds will not be granted for non-attendance.
3. Submission & Publication Norms :
Researchers submitting papers to ISIT must ensure their institution or supervisor is aware of their submission.
Each submission is subject to a rigorous peer review before being accepted for presentation.
Only papers linked to a completed registration will be included in conference proceedings.
The submitting author is considered the primary author; ISIT does not verify individual authorship claims.
If any concerns regarding authorship arise and are validated, the paper will be withdrawn without reconsideration.
Once a paper is removed, it cannot be reintroduced into any ISIT publication.
4. Travel & Accommodation Responsibilities :
Attendees are responsible for making their own travel and lodging arrangements.
ISIT does not provide logistical assistance for travel or accommodation.
The organization bears no responsibility for expenses incurred due to conference modifications or rescheduling.
5. Visa & Invitation Letter Policy :
Attendees are responsible for making their own travel and lodging arrangements.
ISIT does not provide logistical assistance for travel or accommodation.
The organization bears no responsibility for expenses incurred due to conference modifications or rescheduling.
ISIT does not engage directly with consulates or embassies on behalf of attendees.
Participants must handle their own visa applications and processes.
Important Information Regarding Invitation Letters:
The invitation letter is provided solely for conference attendance and does not serve as a document for immigration, employment, or residency purposes.
The letter assists in visa applications but does not guarantee visa approval.
ISIT holds no responsibility for visa denials or processing delays, and all related costs are borne by the applicant.
Any alterations or unauthorized use of the invitation letter will result in its invalidation and possible cancellation of conference participation.
Legal action may be pursued if the document is misused.
By accepting the invitation letter, attendees agree to comply with international travel regulations and ethical participation standards.
6. Registration Transfers :
Registrations may be transferred to another individual from the same institution if the original participant cannot attend.
Transfer requests must be made via email to
[email protected]
with necessary details and supporting documents.
Transfers must be requested at least 14 days before the event; otherwise, they will not be accommodated.
Transferred registrations are not eligible for refunds.
7. General Considerations :
Any modifications or cancellations must be communicated in writing to
[email protected]
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Registration confirms acknowledgment and acceptance of these policies.
ISIT does not initiate automatic transactions; all payments are voluntarily completed by registrants.
Once registered, participants must submit a conference registration form within three days for confirmation.
Travel plans should only be finalized after receiving the official conference itinerary, which will be shared 15 days before the event.
8. Conference Programme and Participation Policy :
Presentations from different but relevant academic areas may be combined by the Organiser within an interdisciplinary or multidisciplinary programme to encourage cross-disciplinary understanding, interaction, and future research partnerships.
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What you'll hear about
Session tracks covered across the event.
View all 11 tracks →
01
Cultural Narratives in European Cinema
This track explores the representation of cultural narratives in European cinema, focusing on how films reflect and shape national identities. It invites papers that analyze specific films or trends within the context of cultural representation and identity formation.
02
Media and Youth Culture in Europe
This session examines the intersection of media and youth culture across Europe, highlighting how digital platforms influence the identities and experiences of young people. Contributions may include studies on social media, youth activism, and the role of audiovisual content in shaping youth narratives.
03
Censorship and Freedom of Expression in European Media
This track investigates the dynamics of censorship and freedom of expression within European media landscapes. Papers are encouraged to address historical and contemporary cases, examining the implications for journalism and public discourse.
04
Globalization and European Cultural Identity
This session focuses on the impact of globalization on European cultural identity, exploring how transnational influences reshape local narratives. Contributions may analyze the tension between global media trends and regional cultural expressions.
05
Propaganda and Political Communication in Europe
This track delves into the role of propaganda in shaping political communication across Europe, particularly in the context of contemporary challenges. Papers should explore case studies of media campaigns, public opinion, and the effects of propaganda on democratic processes.
06
Visual Culture and Representation in European Art
This session examines the role of visual culture in representing European identities through various artistic mediums. Contributions may include analyses of contemporary art, photography, and visual storytelling that reflect societal issues and cultural diversity.
07
Performance Studies and Cultural Representation
This track invites papers that explore the relationship between performance studies and cultural representation in Europe. Topics may include theater, dance, and other performance arts as mediums for expressing identity and social commentary.
08
Digital Media and the Transformation of Journalism
This session investigates how digital media has transformed journalism practices in Europe, focusing on the implications for news production and consumption. Papers may address issues such as misinformation, audience engagement, and the evolving role of journalists.
09
Audiovisual Culture and European Identity
This track explores the role of audiovisual culture in shaping European identity, examining how films, television, and online content contribute to cultural narratives. Contributions may analyze specific genres, trends, or the impact of streaming services on cultural representation.
10
Storytelling and Memory in European Media
This session focuses on the role of storytelling in preserving and transmitting collective memory within European media. Papers are encouraged to explore how narratives in film, television, and literature reflect historical events and cultural heritage.
11
Popular Culture and Social Change in Europe
This track examines the relationship between popular culture and social change in Europe, highlighting how media representations influence public perceptions and societal norms. Contributions may include analyses of music, television, and film as catalysts for cultural shifts.