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ICFTCA · Registering as Listener
International Conference on Film Theory, Criticism, and Analysis
16–17 Oct 2026
Manchester, UK
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135
virtual · $195 in person
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1. Policy on Cancellations & Refunds :
A full refund is possible only if the cancellation request is submitted at least 70 days before the conference, with formal paperwork completed at least 60 days prior.
If cancellation occurs between 60 and 30 days before the event, partial refunds may be granted based on administrative costs incurred.
Cancellations made within 30 days of the event are non-refundable, though participants will receive a credit valid for one year.
Registrations made less than 30 days before the event are not eligible for refunds, but may be transferred to another ISIT conference.
Since this conference is hybrid format, the organizer reserves the right to conduct the event either in-person or virtually. Please note that no refunds will be issued due to changes in the event format.
Virtual registration fees are non-refundable. A credit will instead be issued for use at a future conference event.
2. Participation & Registration Requirements :
To attend an ISIT event, participants must complete the registration process within the stipulated time.
The event schedule, venue, and format are subject to changes at the discretion of the organizers, with prior notice sent via email.
ISIT is not liable for any financial losses resulting from changes in event details.
Fees paid for registration are strictly non-refundable.
If the primary author cannot participate, a co-author may attend instead, but refunds will not be granted for non-attendance.
3. Submission & Publication Norms :
Researchers submitting papers to ISIT must ensure their institution or supervisor is aware of their submission.
Each submission is subject to a rigorous peer review before being accepted for presentation.
Only papers linked to a completed registration will be included in conference proceedings.
The submitting author is considered the primary author; ISIT does not verify individual authorship claims.
If any concerns regarding authorship arise and are validated, the paper will be withdrawn without reconsideration.
Once a paper is removed, it cannot be reintroduced into any ISIT publication.
4. Travel & Accommodation Responsibilities :
Attendees are responsible for making their own travel and lodging arrangements.
ISIT does not provide logistical assistance for travel or accommodation.
The organization bears no responsibility for expenses incurred due to conference modifications or rescheduling.
5. Visa & Invitation Letter Policy :
Attendees are responsible for making their own travel and lodging arrangements.
ISIT does not provide logistical assistance for travel or accommodation.
The organization bears no responsibility for expenses incurred due to conference modifications or rescheduling.
ISIT does not engage directly with consulates or embassies on behalf of attendees.
Participants must handle their own visa applications and processes.
Important Information Regarding Invitation Letters:
The invitation letter is provided solely for conference attendance and does not serve as a document for immigration, employment, or residency purposes.
The letter assists in visa applications but does not guarantee visa approval.
ISIT holds no responsibility for visa denials or processing delays, and all related costs are borne by the applicant.
Any alterations or unauthorized use of the invitation letter will result in its invalidation and possible cancellation of conference participation.
Legal action may be pursued if the document is misused.
By accepting the invitation letter, attendees agree to comply with international travel regulations and ethical participation standards.
6. Registration Transfers :
Registrations may be transferred to another individual from the same institution if the original participant cannot attend.
Transfer requests must be made via email to
[email protected]
with necessary details and supporting documents.
Transfers must be requested at least 14 days before the event; otherwise, they will not be accommodated.
Transferred registrations are not eligible for refunds.
7. General Considerations :
Any modifications or cancellations must be communicated in writing to
[email protected]
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Registration confirms acknowledgment and acceptance of these policies.
ISIT does not initiate automatic transactions; all payments are voluntarily completed by registrants.
Once registered, participants must submit a conference registration form within three days for confirmation.
Travel plans should only be finalized after receiving the official conference itinerary, which will be shared 15 days before the event.
8. Conference Programme and Participation Policy :
Presentations from different but relevant academic areas may be combined by the Organiser within an interdisciplinary or multidisciplinary programme to encourage cross-disciplinary understanding, interaction, and future research partnerships.
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What you'll hear about
Session tracks covered across the event.
View all 11 tracks →
01
Exploring Film Theory: Foundations and Innovations
This track invites papers that delve into the foundational concepts of film theory, examining both classical and contemporary perspectives. Scholars are encouraged to propose innovative theoretical frameworks that challenge traditional paradigms in film studies.
02
Cinematic Narratives: Structure and Interpretation
This session focuses on the intricate structures of cinematic narratives and their interpretations across various genres. Contributions should analyze narrative techniques and their impact on audience engagement and meaning-making.
03
The Role of the Auteur: Authorship in Film
This track investigates the concept of the auteur and its implications for understanding authorship in cinema. Papers may explore the contributions of specific filmmakers and the cultural contexts that shape their artistic visions.
04
Genre Studies: Evolution and Cultural Significance
This session examines the evolution of film genres and their cultural significance within different historical contexts. Participants are encouraged to analyze genre conventions and their influence on audience expectations and societal reflections.
05
Visual Culture and Film: Intersections and Impacts
This track explores the intersections between visual culture and film, focusing on how visual media shapes and is shaped by cultural narratives. Papers should address the implications of visual representation in cinematic texts and their broader societal effects.
06
Film Criticism: Methods and Perspectives
This session invites discussions on the methodologies and perspectives employed in film criticism today. Scholars are encouraged to reflect on the evolution of film criticism and its role in shaping public discourse around cinema.
07
Cultural Studies and Film: Contextualizing Cinema
This track examines the relationship between cultural studies and film, emphasizing the importance of context in understanding cinematic texts. Contributions should analyze how cultural factors influence film production, reception, and interpretation.
08
Critical Theory and Film: Theoretical Approaches
This session focuses on the application of critical theory to film studies, exploring various theoretical approaches such as feminist, Marxist, and psychoanalytic critiques. Papers should address how these frameworks enhance our understanding of cinematic texts.
09
Film History: Revisiting Canonical Works
This track invites scholars to revisit and re-evaluate canonical works in film history, considering their lasting impact and relevance. Participants are encouraged to explore underrepresented narratives and alternative histories within the cinematic canon.
10
Narrative Analysis: Techniques and Trends
This session focuses on narrative analysis in film, examining the techniques employed by filmmakers to construct meaning. Contributions should highlight current trends in narrative theory and their implications for film analysis.
11
Transnational Cinema: Global Perspectives
This track explores the phenomenon of transnational cinema and its implications for film studies. Papers should analyze how globalization affects cinematic practices, narratives, and audience reception across different cultures.